Budots and Duterte : meaning making on the appropriation of Rodrigo Duterte's interviews and speeches in budots music / Chelsea Rica M. Abellana; Khurshid C. Kalabud, adviser
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
Item type | Current library | Collection | Call number | Status | Date due | Barcode |
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College of Humanities and Social Sciences | Room-Use Only | LG 993.5 2018 C54 A24 (Browse shelf(Opens below)) | Available | 3UPML00025280 | |
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University Library Archives and Records | Preservation Copy | LG 993.5 2018 C54 A24 (Browse shelf(Opens below)) | Not For Loan | 3UPML00038302 |
Thesis (BA Communication Arts) -- University of the Philippines Mindanao, 2018
Music is filled with political content. Thus, in this study, the researcher looked into the appropriation of sound bites of Rodrigo Duterte?s speeches and interviews in four chosen budots remixes. To help analyze these, the researcher applied Roland Barthes? Five Codes of which is composed of the following: the hermeneutic code, the proairetic code, the semantic code, the symbolic code, and the cultural code. Furthermore, the researcher also used the critical discourse analysis as the approach for this study. In the remixes, various issues surrounding Rodrigo Duterte, his persona, and rhetoric, were recognized as well as how these issues were applied by the local underground DJs to their music. The results showed that budots music is a manifestation of local underground DJs support for the political actions accomplished by Duterte regardless of the extremities.
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