MARC details
| 000 -LEADER |
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| fixed length control field |
02344nam a22002533a 4500 |
| 001 - CONTROL NUMBER |
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| control field |
UPMIN-00020601626 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
UPMIN |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20231110182724.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
231110b |||||||| |||| 00| 0 eng d |
| 040 ## - CATALOGING SOURCE |
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| Transcribing agency |
UPMin |
| 041 ## - LANGUAGE CODE |
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| Language code of text/sound track or separate title |
eng |
| 090 #0 - LOCALLY ASSIGNED LC-TYPE CALL NUMBER (OCLC); LOCAL CALL NUMBER (RLIN) |
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| Classification number (OCLC) (R) ; Classification number, CALL (RLIN) (NR) |
LG 993.5 2018 |
| Local cutter number (OCLC) ; Book number/undivided call number, CALL (RLIN) |
C54 K37 |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Kapunan, Monique T., |
| Relator term |
author |
| 9 (RLIN) |
24087 |
| 245 ## - TITLE STATEMENT |
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| Title |
Hemfu kem genfun : |
| Remainder of title |
subverting exotic representations through participative observational documentary cinema / |
| Statement of responsibility, etc. |
Monique T. Kapunan; Jay Jomar f. Quintos, adviser |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
2018 |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
52 leaves |
| 502 ## - DISSERTATION NOTE |
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| Dissertation note |
Thesis (BA Communication Arts) -- University of the Philippines Mindanao, 2018 |
| 520 3# - SUMMARY, ETC. |
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| Summary, etc. |
Documentary cinema, since its conception, has been used for the purpose of depicting the realistic world through film. It is a representation of the world we already occupy (Nichols, 2001). However, racial and economic power relations tend to distort this reality in favor for the privileged, which affects the representation across cultures in cinema. This study used documentary cinema against the trivialization of culture under the dominant gaze by combining participative and observational approaches in documentary filmmaking on fleshing out a narrative from the researcher?s own locality: the Tboli People of Tuhitum Village, Lake Sebu, South Cotabato. After months of in-depth interviews, immersion, and filming with the help of the community, this research production has come up with ?Hemku kem Genfun? (The Heir), a narrative about an ordinary Tboli woman recounting a glorious past: her experiences being a ?Bo?i? (Princess). The project manifested the resistance of exoticism and othering through its frames, angles, and sound. More importantly, the researcher posited herself with the role of being both a participant and an observer in the process. In conclusion, its main purpose is not only to communicate the message, but also to spark discourse on the current situation of the Tboli heritage, as reflected in the narrative. This documentary tries to emancipate that cinema has long transcended from being ?a mirror of reality?. Cinema is reality itself. |
| 658 ## - INDEX TERM--CURRICULUM OBJECTIVE |
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| Main curriculum objective |
UndergraduateThesis |
| Curriculum code |
COMA200, |
| Source of term or code |
BACA, College of Humanities and Social Sciences |
| 700 ## - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Quintos, Jay Jomar F., |
| Relator term |
adviser |
| 9 (RLIN) |
23724 |
| 905 ## - LOCAL DATA ELEMENT E, LDE (RLIN) |
|---|
| a |
Fi |
| 905 ## - LOCAL DATA ELEMENT E, LDE (RLIN) |
|---|
| a |
UP |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Source of classification or shelving scheme |
Library of Congress Classification |
| Koha item type |
Thesis |
